Reviews
Music in the Realm of Fireflies: Improvisations for Peace and Healing
This is meditative music, created by a group of Japanese and Japan-based musicians playing Japanese, Chinese, Indian, Korean, and Mongolian...
Reviewed by Keith Howard in issue:
A Sound Heart
Whatever/Whoever is the translation of Jaubi (pronounced jaw-bee) and ‘whatever sounds good’ is the band’s guiding principle. The Pakistani jazz...
Reviewed by Tom Newell in issue: November/2024
Chule Chule Iwe
Gasper Nali’s third album arrives six years after the previous Zoona Malawi and continues his singular musical journey from the...
Reviewed by Alexandra Petropoulos in issue: July/2025
Made Through Ritual
Founded by the American saxophonist James ‘Plunky’ Branch in the 1970s, Oneness of Juju would forge a soulful style of...
Reviewed by Nigel Williamson in issue: October/2025
Calima
Balimaya Project Meets Discos Pacífico All-Stars
With Calima, London based Afro-jazz fusionists Balimaya Project combine with Colombia’s Discos Pacífico All-Stars to celebrate the deep musical connection...
Reviewed by Andrew Taylor-Dawson in issue: October/2025
The Dome Sessions
VARIOUS ARTISTS | Various Artists
Designed in 1962 by Brazilian architect Oscar Niemeyer, the concrete dome in Tripoli, Lebanon was intended to be one of...
Reviewed by Charlie Cawood in issue: October/2025
The MCO Session
The MCO Session is Palestinian oud virtuoso Nizar Rohana’s revitalisation of his renowned trio format, featuring reimaginings of favourite pieces...
Reviewed by Charlie Cawood in issue: December/2025
Canes of Karabakh
The best reeds for the duduk, an Armenian woodwind instrument and a symbol of Armenian culture, are made from cane...
Reviewed by Michał Wieczorek in issue: April/2026
Il Mito
Canzoniere Grecanico Salentino
Celebrating their 50th anniversary as one of the most influential folk ensembles in Southern Italy, Canzoniere Grecanico Salentino have selected...
Reviewed by GonÇalo Frota in issue: May/2026
L’amour à la folie
You don’t know what you’ve got ’til it’s gone. Perhaps in recent years, we grew guilty of rather taking for...
Reviewed by Nigel Williamson in issue: December/2025
