A big welcome back to Sam Carter and Jim Moray, whose debut album under the guise of False Lights, Salvor,...
Reviewed by Tim Cumming in issue: April/2018
After three years of near-constant touring, this six-piece band’s third album finds Ewen Henderson taking over lead vocals from now-departed...
Reviewed by Kevin Bourke in issue: May/2017
Belonging to Sublime Frequencies’ locale-specific radio collage series, Radio Vietnam is a ‘plunderphonics’ album: that's to say, the mashed-up audio...
Reviewed by Barley Norton in issue: July/2015
Syssi Mananga is a Brussels-based singer-songwriter of Afro-pop leanings and Belgian and Congolese heritage whose debut, Retour aux Sources(Back to...
Reviewed by Jane Cornwell in issue: October/2021
Els Berros de la Cort are the musical equivalent of a re-enactment group, performing material from the medieval Catalan and...
Reviewed by Chris Moss in issue: June/2013
Raphaëlle Brochet & Philippe Aerts
Stripping back an arrangement to just bass and voice can make for a spellbinding moment of intimacy. Kamalamba is an...
Reviewed by Liam Izod in issue: March/2018
Pokey LaFarge & the South City Three
At first glance, it would be easy to dismiss Pokey LaFarge as just another retro poseur, zoot-suiting his way onto...
Reviewed by Doug Deloach in issue: Nov/Dec/2011
Opening with an a capella version of the witches’ curses, spells and premonitions from the murky first scene of Macbeth...
Reviewed by Tim Cumming in issue: March/2018
Over a series of impressive solo albums, the guitarist Guy Buttery has established himself as a major force in South...
Reviewed by Nigel Williamson in issue: March/2020
Per Gudmundson & Bengan Janson
A crackling fire under a summer sky, dried flowers on a windowsill, a wistful smile and the coolness of grass...
Reviewed by Fiona Talkington in issue: October/2018
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