Reviews
Tusona: Tracings in the Sand
Mokoomba are back at last, six years on from their last album Luyando and ten years after winning a Songlines...
Reviewed by Robin Denselow in issue: July/2023
Mutations
Ever since 2017's Tribal Match found its way onto Kampala's dancefloors, Faizal Mostrixx has been a driving force on Uganda's...
Reviewed by Olivia Cheves in issue: July/2023
Manual de Romería
For some years now, Rodrigo Cuevas has been living in a little village in Asturias, retreating from contact with big...
Reviewed by GonÇalo Frota in issue: January/February/2024
Rincon de las Penas
The Río de la Plata has a long tradition of meditative guitar music. It’s informed by the mestizo traditions of...
Reviewed by Chris Moss in issue: April/2024
Aguidavi do Jêje
Slaves from present-day Nigeria, Benin and Togo brought Candomblé to Bahia (Brazil) where it thrived, developing into Afro-Brazilian ceremonies performed...
Reviewed by Andy Cumming in issue: May/2024
Süeda Sings Sezen Aksu
Sezen Aksu: an unconventional contemporary female public figure in Turkey, for half a century she commented with her songs on...
Reviewed by Francesco Martinelli in issue: May/2024
Mundo Solo
I have been an admirer of the prolific Brazilian guitarist and composer Fabiano Do Nascimento for several years. Based in...
Reviewed by Merlyn Driver in issue: March/2024
Microfolk 1-3
Chaz Knapp, Cy Werner & Chaz Prymek
The deeply impressionistic, pointillist improvisations spread across these three wonderful collaborative cassette releases are like subtle adornments to the natural...
Reviewed by Spencer Grady in issue: December/2023
Digital Indigenous 07: Why Not
This is the seventh instalment in the 1000HZ series which spotlights local producers –predominantly from Malawi – working with rudimentary...
Reviewed by Lucy Hallam in issue: September/2024
Dotze Temps
Lluís Gómez’ story is an improbable one. A voracious Spanish musical student from a young age, he quickly learned to...
Reviewed by GonÇalo Frota in issue: September/2024
