Reviews
Live at Ronnie Scott's
One of the most compelling aspects of Nitin Sawhney's work is its conceptual nature. More off en than not, his...
Reviewed by Nigel Williamson in issue: Jan/Feb/2018
The Rough Guide to Mali Blues
Nine years ago, The Rough Guide to Desert Blues provided an impressive overview of the music of the Sahara, including...
Reviewed by Robin Denselow in issue: November/2019
Une Vie Formidable
‘Oh, for a beaker full of the warm South!’ It would not surprise me were I to learn that Keats...
Reviewed by Nathaniel Handy in issue: March/2011
Message on the Wind
Thursday Island is a small place – only 3.5 square kilometres in size – lying off the northern tip of...
Reviewed by Seth Jordan in issue: October/2013
Vangaza!
Zambia lies geographically between Zimbabwe and the Democratic Republic of Congo and is one of the musically less prolific countries...
Reviewed by Martin Sinnock in issue: October/2015
Soundplaces
Derya Türkan & Sokratis Sinopoulos
Derya Türkan is a Turkish player of the Klasik kemençe, a three-string fiddle played on the lap, while Sokratis Sinopoulos...
Reviewed by Simon Broughton in issue: January/2021
Tronzar os Valos
Maria Xosé Silvar – known as Sés – is one of Galicia's most notable artists. Her repertoire ranges across rock,...
Reviewed by Chris Moss in issue: October/2015
Seventh Heaven
Taichmania are an Israeli fusion group headed by multi-instrumentalist and composer Yaniv Taichman. Seventh Heaven, their debut, gives the occasional...
Reviewed by Thomas Graves in issue: December/2019
Cycle
The themes of recurrence and circularity stand out in Hazel Askew, Rowan Rheingans and Hannah James’ third album as a...
Reviewed by Tim Cumming in issue: December/2016
