Reviews
Drawing in an Almond
Greek singer Katerina Papadopoulou was previously unknown to me, but due diligence proves it's been my oversight. This album was...
Reviewed by Marc Dubin in issue: Apr/May/2014
Respeitosa Mente
Although there is no obvious trace of Lebanese oud player Rabih Abou-Khalil in Respeitosa Mente, it is hard to imagine...
Reviewed by GonÇalo Frota in issue: November/2019
Vitamia
Gianmaria Testa, moustachioed chan¬sonnier and former stationmaster, is a first-class Italian singer-songwriter. Five years have passed since his stunning Da...
Reviewed by Ciro De Rosa in issue: March/2012
Casa Guilhermina
Rosalía totally changed the flamenco game, redefining the genre for the 21st century. Of course, she promptly crossed the border...
Reviewed by GonÇalo Frota in issue: January/February/2023
Music From Bavaria
Whatever prejudices you might have about Bavarian folk music – you know, those Oktoberfest, beer-fuelled, lederhosen-clad, thigh-slapping, oom-pah brass-band stereotypes...
Reviewed by Mark Espiner in issue: March/2010
L'Amazone: Le Chant des Fleuves
The Amazon has been imagined as a tree, its trunk passing from Brazil through Colombia and into Peru, with branches...
Reviewed by Chris Moss in issue: April/2020
Minas Terra
A native of Brazil’s Minas Gerais, Philadelphia-based Anne Simoni follows in some seriously venerable footsteps, citing the likes of Milton...
Reviewed by Brendon Griffin in issue: October/2010
Oes i Oes
Cass Meurig and Nial Cain have worked together for a number of years now. Their intimate and sensitive renditions of...
Reviewed by Billy Rough in issue: June/2013
Frente Cumbiero meets Mad Professor
Frente Cumbiero meets Mad Professor
Guyana-born dub master Mad Professor certainly gets around. The list of international collaborators he has worked with is pretty exhaustive,...
Reviewed by Ed Stocker in issue: March/2012
The Rough Guide to Samba
In this latest incarnation of The Rough Guide to Samba, compiler John Armstrong works from a generous definition of Brazil's...
Reviewed by Brendon Griffin in issue: March/2013
