Reviews
Resonance/Dissonance
A solo oud recording is an ambitious undertaking for any player. Even if you can hold your listeners’ attention for...
Reviewed by Bill Badley in issue: Aug/Sep/2011
Never Stop Moving
The lead singer with the folk-rock institution known as Oysterband, John Jones is pictured striding purposefully across a panoramic landscape,...
Reviewed by Matt Milton in issue: December/2015
The Art of the Ajaeng Sanjo
The Yueshu, a 12th-century Chinese encyclopedia of music, refers to the Chinese ajaeng as being a zither that ‘creaks’. The...
Reviewed by Keith Howard in issue: March/2013
Mediterasian
This young Italian Gypsy jazz guitarist was ‘hooked for life’ on first hearing Django Reinhardt as a 16-year-old. During a...
Reviewed by Mark Sampson in issue: May/2019
Béla Fleck & Abigail Washburn
As the world's premier banjo player, Fleck has ranged across jazz, classical and world music, dramatically expanding the instrument's repertoire...
Reviewed by Nigel Williamson in issue: Jan/Feb/2015
Viva Africando
I don’t know if anybody makes serious money out of the Africando operation, but apart from its musical excellence, the...
Reviewed by Philip Sweeney in issue: Nov/Dec/2013
Félix Lajkó & Vołosi
The opening of this album sounds like you've stumbled into an astonishing cadenza in the middle of a violin concerto....
Reviewed by Simon Broughton in issue: November/2019
Holy Colony: Burning Acres
New Zealand Māori singer Troy Kingi has an ambitious idea of recording ten albums over ten years in ten different...
Reviewed by Seth Jordan in issue: Jan/Feb/2020
Coxsone's Music 2: The Sound of Young Jamaica
This fabulous double CD (or triple-vinyl) set gathers 41 recordings from the dawn of the ska era: 1960-62. All the...
Reviewed by Garth Cartwright in issue: October/2016
