With Ponda, Cameroonian pianist and singer Patrick Bebey delivers a record that seamlessly fuses jazz, African tradition and Western folk...
Reviewed by Andrew Taylor-Dawson in issue: February/March/2025
A decade on from Songhoy Blues’ explosive debut Music in Exile, it’s probably time to stop calling the band from...
Reviewed by Nigel Williamson in issue: February/March/2025
This newly mastered compilation from the Australian Dead Can Dance co-founder showcases her distinctive artistry. Known for her film compositions,...
Reviewed by Peter Quinn in issue: April/2025
Whatever/Whoever is the translation of Jaubi (pronounced jaw-bee) and ‘whatever sounds good’ is the band’s guiding principle. The Pakistani jazz...
Reviewed by Tom Newell in issue: November/2024
Gasper Nali’s third album arrives six years after the previous Zoona Malawi and continues his singular musical journey from the...
Reviewed by Alexandra Petropoulos in issue: July/2025
Founded by the American saxophonist James ‘Plunky’ Branch in the 1970s, Oneness of Juju would forge a soulful style of...
Reviewed by Nigel Williamson in issue: October/2025
Balimaya Project Meets Discos Pacífico All-Stars
With Calima, London based Afro-jazz fusionists Balimaya Project combine with Colombia’s Discos Pacífico All-Stars to celebrate the deep musical connection...
Reviewed by Andrew Taylor-Dawson in issue: October/2025
VARIOUS ARTISTS | Various Artists
Designed in 1962 by Brazilian architect Oscar Niemeyer, the concrete dome in Tripoli, Lebanon was intended to be one of...
Reviewed by Charlie Cawood in issue: October/2025
The MCO Session is Palestinian oud virtuoso Nizar Rohana’s revitalisation of his renowned trio format, featuring reimaginings of favourite pieces...
Reviewed by Charlie Cawood in issue: December/2025
The best reeds for the duduk, an Armenian woodwind instrument and a symbol of Armenian culture, are made from cane...
Reviewed by Michał Wieczorek in issue: April/2026
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