Reviews
Bayou Moonlight
Jeffery Broussard & The Nighttime Syndicate
From the second that Bayou Moonlight’s opening track, ‘Whatever’, hits you, it’s readily apparent that you’re in for a wild,...
Reviewed by Andrew Daly in issue: July/2025
The Willow Collection
Albums do not usually come as beautifully conceived and packaged as The Willow Collection from young Nova Scotian sisters Cassie...
Reviewed by Tim Woodall in issue: March/2017
Albion Voice
She's a one-woman show wrapped in the colours of leftfield folk pop, Indian strings, art ensemble music and a broad...
Reviewed by Tim Cumming in issue: March/2013
The Rise Up
Mehmet Ali Sanhkol & Whatsnext?
Mehmet Ali Sanlikol already sings, plays ney, zurna and oud, but that doesn’t discourage this Turkish-American from penning The Rise...
Reviewed by Martin Longley in issue: October/2020
Unjugged
The Jim Kweskin Jug Band formed in 1963 and quickly leapt to the forefront of the US folk revival. In...
Reviewed by Garth Cartwright in issue: March/2018
Diamonds on the Water
After two years touring and picking upa brace of awards for Ragged Kingdom, Oysterband's reunion collaboration with June Tabor, Diamonds...
Reviewed by Kevin Bourke in issue: Apr/May/2014
The Color of Silence
Every now and again you find an artist whose music is like arrows ’ each note fired straight through your...
Reviewed by Dan Hobson in issue: June/2019
Under Burning Skies
Breaking news: Souljazz Orchestra have discovered the synthesizer. But not in a bad way. After 15 years together, frequent tours,...
Reviewed by Mark Sampson in issue: December/2017
The Gambia Sessions
Gambian singer and percussionist Musa Mboob leads a core quartet of UK players augmented by another four guests, who collectively...
Reviewed by Martin Longley in issue: December/2019
The Playhouse Sessions
‘How should I behave when I have a violin in my hand?’ asks the dazzling Norwegian violinist Bjarte Eike in...
Reviewed by Fiona Talkington in issue: January/February/2023
