Reviews
Sara Correia
Occasionally, a new voice reminds us that traditional fado is still very much alive and proves that the pop or...
Reviewed by GonÇalo Frota in issue: November/2019
Indio de Apartamento
An estranged cousin to last year’s Bill Frisell link-up, Lágrimas Mexicanas, this album is one that demands patience and time...
Reviewed by Brendon Griffin in issue: Jan/Feb/2013
Wood, Wire & Words
A mere four decades after his last album of original songs was released (1974's Fields of November), Norman Blake gives...
Reviewed by Doug Deloach in issue: Apr/May/2015
Cape Jazz Series Vol 4: Musical Democracy
It would be crass to call the Cape Jazz Band ‘South Africa’s Buena Vista Social Club.’ But somebody’s got to...
Reviewed by Nigel Williamson in issue: June/2014
Càirdeas
Brian Ó hEadhra & Fionnag NicChoinnich
With guitarist Brian Ó hEadhra hailing from Newfoundland (via Dublin) and NicChoinnich from Scotland’s Isle of Lewis, the duo’s third...
Reviewed by Kevin Bourke in issue: Aug/Sep/2021
Souleymane
Debademba consists of singer Mohamed Diaby, who comes from a Malian griot family and was raised in Abidjan in the...
Reviewed by Martin Sinnock in issue: Nov/Dec/2013
Bandázom
Ágnes Herczku is one of Hungary's best folk vocalists and has become even better-known since she's been a judge and...
Reviewed by Simon Broughton in issue: Apr/May/2015
Sun Celebration
There are incredible moments on Sun Celebration. ‘Bridal Wreath Song’ is a fusion of ancient Polish folklore, Indian drones and...
Reviewed by Tim Cumming in issue: April/2017
A l’Ombre des Mots
The Palestinian poet Mahmoud Darwish inspired and collaborated with numerous musicians during his lifetime. The work he left has already...
Reviewed by Bill Badley in issue: Apr/May/2010
Bare Knuckle
Across 20 years of playing together, Chris Stout and Catriona McKay have developed an international reputation for making striking string...
Reviewed by Garth Cartwright in issue: April/2018
