Reviews
C’est La Vie
Many listeners admired the king of rai’s last couple of albums, notably Liberté, which heard his characterful voice unchained from...
Reviewed by Peter Culshaw in issue: June/2013
Eastern Bloc Funk Experience
The compilation label Nascente have done a brilliant job in compiling hot funk albums from across the globe – my...
Reviewed by Garth Cartwright in issue: July/2012
Salsa Salsa
‘El Rey del Timbai died in 2000 at the age of 77. Like most kings, Tito Puente left behind a...
Reviewed by Mark Sampson in issue: Aug/Sep/2010
Haflat Gharbia: The Western Concerts
Once in a while, an artist from the outside punches a dirty great hole through the usually impenetrable wall of...
Reviewed by Nige Tassell in issue: Jan/Feb/2012
Great Expectation
A folk style with ensemble vocals, banjo and distinct African percussion, mento was Jamaica's leading style from the 1920s onwards,...
Reviewed by Charles De Ledesma in issue: Nov/Dec/2010
Kel Tamasheq
World music’s love affair with Touareg guitars continues with the fourth album from Terakaft, formed as an off-shoot of Tinariwen...
Reviewed by Nigel Williamson in issue: October/2012
Le Soleil est Levé
Cedric Watson et Bijou Creole's recent tour of the UK found him wowing audiences and, hopefully, represents the start of...
Reviewed by Garth Cartwright in issue: Apr/May/2013
Panagia
Radiant, original and beautifully constructed, Panagia is Stephan Micus' 20th album, which is an achievement in itself. In its own...
Reviewed by Simon Broughton in issue: June/2013
Warato'o
Solomon Islands’ ensemble Narasirato may be panpipers, but forget any notion that this nine-piece group plays some sort of Melanesian...
Reviewed by Seth Jordan in issue: June/2012
Cool Head
Wales’ Georgia Ruth wooed all with her voice and harp playing on 2013’s In the Pines, which saw her nominated...
Reviewed by Russ Slater Johnson in issue: September/2024
