Reviews
Tinta y Tiempo
Uruguayan songwriter Jorge Drexler’s first album in five years shares many-hued stories of love and lust with classic Drexlerian poetic...
Reviewed by Catalina Maria Johnson in issue: June/2022
Clear Skies
For the follow-up to their largely mellow and laidback 2012 debut, Open the Door for Three, Belfast trio Réalta have...
Reviewed by Michael Quinn in issue: Aug/Sep/2016
Babani Koné
I'm always wary when I read that an artist wants to ‘broaden their audience’ and make an ‘international’ album –...
Reviewed by Robin Denselow in issue: March/2020
Acoustic Accordions
Motion Trio are three Polish accordion players: Janusz Wojtarowicz, Pawel Baranek and Marcin Galazyn. Since their debut CD, Pictures from...
Reviewed by Simon Broughton in issue: July/2010
Cup of Sugar
A native West Virginian, 69-year-old Tim O’Brien represents the best of the contemporary Nashville scene. His instrumental acumen, especially on...
Reviewed by Doug Deloach in issue: July/2023
Guajiro
Eliades Ochoa seems to be speeding up with age, touring the world, producing his second new record within a year,...
Reviewed by Philip Sweeney in issue: July/2023
Lubber's Hole
The clue to the USP with She Shanties is in the name: women singing sea shanties. This is their third...
Reviewed by Nathaniel Handy in issue: August/September/2023
Shorelines
Shorelines, the fifth solo album from the Irish multi-instrumentalist is an exciting, inspiring and thoroughly enchanting listen. A collection of...
Reviewed by Billy Rough in issue: October/2023
