Reviews
Quebra-Cabeça
Four albums in and the juggernaut that is São Paulo's Bixiga 70 powers on with added conviction. Since their debut,...
Reviewed by Russ Slater in issue: December/2018
Working Hands
Shetland Islander Jenna Reid is often seen involved with Blazin' Fiddles and fiddle quartet Rant, but here she has regrouped...
Reviewed by Glenn Kimpton in issue: May/2019
Ufulu 1991-1997
In urgent need of a bucketful of wholesome joy with none of the risks of eternal damnation? Katawa Singers have...
Reviewed by Jim Hickson in issue: May/2020
Deliverance
It's five years since the first Nordic Fiddlers Bloc album. Since then they have endeared themselves to audiences with their...
Reviewed by Fiona Talkington in issue: June/2016
Roll Me, Tumble Me
The Deadly Gentlemen sport a thoroughbred bluegrass line-up of guitar, banjo, fiddle, mandolin and double bass, and are fronted by...
Reviewed by Tim Cumming in issue: Jan/Feb/2014
Resonance/Dissonance
A solo oud recording is an ambitious undertaking for any player. Even if you can hold your listeners’ attention for...
Reviewed by Bill Badley in issue: Aug/Sep/2011
Never Stop Moving
The lead singer with the folk-rock institution known as Oysterband, John Jones is pictured striding purposefully across a panoramic landscape,...
Reviewed by Matt Milton in issue: December/2015
The Art of the Ajaeng Sanjo
The Yueshu, a 12th-century Chinese encyclopedia of music, refers to the Chinese ajaeng as being a zither that ‘creaks’. The...
Reviewed by Keith Howard in issue: March/2013
Mediterasian
This young Italian Gypsy jazz guitarist was ‘hooked for life’ on first hearing Django Reinhardt as a 16-year-old. During a...
Reviewed by Mark Sampson in issue: May/2019
