Reviews
Ya Mizolé
Having set out their stall with an acclaimed self-titled 2020 debut, feminist collective Les Mamans du Congo (Mothers of the...
Reviewed by Jane Cornwell in issue: November/2023
Simnadé + 4
When this recording was first released as an LP on the Rogue Records label in 1989 it heralded the exciting...
Reviewed by Martin Sinnock in issue: December/2020
Remembering
Remembering is a curious mix. Mostly made up of self-penned songs, the album marks a new direction for Ross Ainslie...
Reviewed by Billy Rough in issue: December/2015
From Kinshasa
When the much-lauded Congolese band Staff Benda Bilili imploded in early 2013, at the height of their global fame, that...
Reviewed by Jane Cornwell in issue: July/2015
Rough Guide to Spiritual Blues
As the music of gambling dens, bordellos, barrelhouses and anywhere else vice was to be found, the blues swiftly earned...
Reviewed by Nigel Williamson in issue: October/2020
We Have Tigers
I have mixed feelings about We Have Tigers, the debut folk album of the Finnish-English artist Inga Liljeström. Let's deal...
Reviewed by Howard Male in issue: March/2018
Inganekwane
In both senses of the term, Johannesburg’s Zoë Modiga is a new world star. Her ancient-to-future energy swirls from a...
Reviewed by Jane Cornwell in issue: October/2020
North
The elder sister of Cara and former frontwoman of 90s Irish powerhouse Déanta, Mary Dillon has followed up her 2010...
Reviewed by Michael Quinn in issue: Apr/May/2013
1000 Can Die
It’s as absurd to generalise about African albums as it would be American or European albums. But over the years...
Reviewed by Howard Male in issue: May/2017
Ghalia Benali sings Oum Kalthoum
A subtle sifting through the Kalthoum songbook. Raised in Tunisia but now living in Brussels, Ghalia Benali has explored many...
Reviewed by Neil van der Linden in issue: October/2010
