Reviews
Nosotras Somos
In the male– dominated world of flamenco, all-female groups like Las Migas are still a rarity – even in Catalonia’s...
Reviewed by Russell Parton in issue: Nov/Dec/2012
The Ravishing Genius of Bones
Anyone still labouring under the misapprehension that the tin whistle is a poor man's instrument will have their preconceptions shattered...
Reviewed by Andy Letcher in issue: Nov/Dec/2010
Panama! 3
How much music can little Panama keep finding in its vaults? With the third instalment of Soundway’s Panama series (subtitled...
Reviewed by Chris Moss in issue: Jan/Feb/2010
El Valle de la Infancia
A son, a brother and a nephew join Argentinian bandoneón (squeezebox) virtuoso Dino Saluzzi for this latest offering from the...
Reviewed by Chris Moss in issue: Aug/Sep/2014
I Vine Speil (In the Mirror of Wine)
Mahsa Vahdat is one of the most courageous and enterprising of contemporary Iranian singers. Courageous bec ause despite restrictions on...
Reviewed by Laudan Nooshin in issue: March/2011
Alex Wilson Presents Salsa Veritas: Truly for Dancers
UK-born jazz pianist¬producer Alex Wilson might spend most of his time in Switzer¬land – one of the several countries he...
Reviewed by Jane Cornwell in issue: Jan/Feb/2012
Bend Skin Beats
Blind singer-guitarist André Marie Tala is a veteran of modern Cameroonian music. Some of his earliest recordings were arranged by...
Reviewed by Martin Sinnock in issue: Jan/Feb/2010
Jamaica: Rhythm & Blues 1956-1961
The years 1956 and 1961 brought two key events to Jamaica’s musical history. The dates also provide well chosen bookends...
Reviewed by Clyde Macfarlane in issue: Jan/Feb/2013
Drawing in an Almond
Greek singer Katerina Papadopoulou was previously unknown to me, but due diligence proves it's been my oversight. This album was...
Reviewed by Marc Dubin in issue: Apr/May/2014
Interior
Who said musicians had to stick to one art form? Not the fabulous Rosa Anschütz, a Berlin-based creative – or...
Reviewed by Jane Cornwell in issue: April/2024
