As with Ladysmith Black Mambazo, recording the Blind Boys of Alabama has its challenges. The two gospel vocal groups from...
Reviewed by Nigel Williamson in issue: March/2014
‘From the First Fado to the Last Tango’ is a Best Of set celebrating Mísia’s 25 years as a recording...
Reviewed by Michael Macaroon in issue: May/2017
This is the Argentinian alchemist Juana Molina's seventh album and it demonstrates a masterful refinement of her sample-based, patchwork approach...
Reviewed by Matt Milton in issue: July/2017
The strange couple at the heart of this recording is that of Hacıoğlu's silky tenor singing voice, and the divan...
Reviewed by Martin Stokes in issue: June/2017
There are some lovely, sparkly moments in this self-descriptive album from 2015's BBC Radio Scotland Young Traditional Musician of the...
Reviewed by Tom Newell in issue: October/2023
Fans of Sevara Nazarkhan's two Real World albums are in for a surprise here – but it is an entirely...
Reviewed by Nigel Williamson in issue: Nov/Dec/2011
The fourth album by Brazilian singer-songwriter Maria Rita Stumpf, Ver Tente, brings together her four decades of musical output. After...
Reviewed by Huw Hennessy in issue: October/2022
On the opening title-track of Benjamin's third album, the guitar riffs explode like Led Zeppelin and the drums detonate like...
Reviewed by Nigel Williamson in issue: April/2023
Turkish psychedelic rock from the 60s seems to have been reborn from the ashes lately, with a new generation of...
Reviewed by Robert Rigney in issue: November/2019
The ‘Jr’ is important here in order to avoid confusion with Kerfala's more famous older brother, who was also confusingly...
Reviewed by Nigel Williamson in issue: April/2023
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