Reviews
Bahir
Where the rhythms and grooves of West Africa have been embraced across the planet, absorbed into the mainstream and melded...
Reviewed by Tim Romain in issue: May/2019
La Différence
Salif Keita’s record company are claiming La Différence is the ‘third chapter of an acoustic trilogy’, following his two wonderful...
Reviewed by Nigel Williamson in issue: Apr/May/2010
The Rough Guide to Morocco
There are two approaches to compiling these kind of one-hour musical guides. You can opt for the historical overview. Or...
Reviewed by Nigel Williamson in issue: Apr/May/2012
Bako
In case we don’t know quite what to call this, those kind folks over at Norway’s EM Label have come...
Reviewed by Jane Cornwell in issue: March/2011
El Hal/The Feeling
El Hal/The Feeling is the first album in five years from the Anglo-Moroccan septet, led by the gimbri and voice...
Reviewed by Tim Cumming in issue: April/2021
Music from the Source
As they celebrate 25 years, this double CD is clear proof that Riverboat Records is Britain’s most prolific and wide-ranging...
Reviewed by Simon Broughton in issue: June/2014
Ginga: The Sound of Brazilian Football
Ginga is a kind of football-specific Brazilian equivalent of ‘mojo,’ which the national team seem to have lost during the...
Reviewed by Brendon Griffin in issue: Aug/Sep/2010
Songs That Made Us Free
With a predominantly South African cast among musicians from 17 other countries, this multicultural collection of freedom songs, old and...
Reviewed by Nigel Williamson in issue: July/2019
Malkradessa
The Bissau Guinean singer Venilio Evangelista Pan was born in Portugal and lives in London. This, his debut album, is...
Reviewed by Rose Skelton in issue: Jan/Feb/2012
