The third CD by the Prince Fatty collective – the name is producer Mike Pelanconi’s nod to King Tubby –...
Reviewed by Neil Foxlee in issue: Apr/May/2011
Salamander boasts not one but two conflagration– related tunes. The title-track was written by Bellevue Rendezvous’ fiddle player, Gavin Marwick,...
Reviewed by Julian May in issue: Apr/May/2010
Chris Stout's Brazilian Theory
Fiddler Chris Stout comes from Fair Isle, which lies between Orkney and Shetland, north-east of the Scottish mainland, famous for...
Reviewed by Julian May in issue: Nov/Dec/2011
In the summer of 1979, Greek folk singer Domna Samiou (1928-2012) toured Sweden (with a band and dance troupe) performing...
Reviewed by Garth Cartwright in issue: Jan/Feb/2019
Sami al-Shawwa (1885-1965) introduced the Western violin to Cairo, devising new techniques for it and reinvigorating the art of modal...
Reviewed by Martin Stokes in issue: Jan/Feb/2017
Royal Academy-trained, an acclaimed music educator for kids, a flugelhorn player and from England, Barbara Snow should not be as...
Reviewed by Chris Moss in issue: April/2019
This album is predicated on the idea that by changing just a few elements of a musical style or tradition...
Reviewed by Maria Lord in issue: November/2020
‘This album is my personal journey through the six years of war in Syria,' Youssef writes of her debut album....
Reviewed by Tim Cumming in issue: Jan/Feb/2018
Marin ‘Tsagoi’ Sandu is an accordionist and singer from that heartland of Romanian Gypsy music, Clejani. Indeed he's the son...
Reviewed by Simon Broughton in issue: March/2015
The affinity between American blues and West African traditional idioms has led to some great recordings: Ali Farka Touré with...
Reviewed by Martin Sinnock in issue: Jan/Feb/2017
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