Reviews
Ar Puro
The music of Guinea-Bissau – a tiny wedge of mangroves and jungle hidden between the borders of Senegal and Guinea...
Reviewed by Nigel Williamson in issue: July/2010
Where the Soul Never Dies
Mike Block is one of the bravest, most intriguing musicians on the American fusion scene. A cellist and member of...
Reviewed by Robin Denselow in issue: July/2021
Classical & Contemporary Chinese Music
Growing up in Maoist China, Mei Han had to undergo numerous hardships to study her chosen instrument, the guzheng (21-stringed...
Reviewed by Charlie Cawood in issue: December/2016
Les Percussions de Guinée Vols 1 & 2
A welcome reissue of the two classics from Guinea's national supergroup, this was assembled to promote Guinean culture on the...
Reviewed by Barak Schmool in issue: March/2013
Nordic Choro
You might describe choro as having the sensibilities of classical music alongsidethe earthiness of street music. It grew up in...
Reviewed by Fiona Talkington in issue: Jan/Feb/2011
Music to My Ears
If Ricky Skaggs has ever made a bad record, I haven't heard it. Music to My Ears perfectly complements last...
Reviewed by Doug Deloach in issue: Apr/May/2013
A Single Tree Does Not a Forest Make
Until ten years ago a new recording of Afro-Cuban Santería songs inevitably came from the US, as precious few such...
Reviewed by Jan Fairley in issue: Apr/May/2012
Flowers in the Desert
As fans of world music, we rejoice when Western rock stars, whether it's Damon Albarn, Peter Gabriel, Paul Simon...
Reviewed by Nigel Williamson in issue: March/2011
CuCuLand
A suitably theatrical spoken word overture – clinking glasses, a call for silencio, the tap of heels and the flare...
Reviewed by Jane Cornwell in issue: June/2010
Brass Noir: On the Trans-Balkan Highway
Piranha Records was the first world music label to effectively promote Balkan brass – issuing seminal albums by Boban i...
Reviewed by Garth Cartwright in issue: March/2012
