There’s an inevitable overlap between Radio Beirut, compiled by the German journalist Dagmar Golle, and last year’s Golden Beirut CD...
Reviewed by Nigel Williamson in issue: Aug/Sep/2012
Whilst Shaolin Afronaut’s debut, Flight of The Ancients, wore its influences somewhat overtly on its sleeve, their follow-up sees them...
Reviewed by Chris Menist in issue: Nov/Dec/2012
Fifty years after the Chinese occupation of Tibet, there are still few recordings of genuine traditional music from Tibet’s rural...
Reviewed by Mark Trewin in issue: July/2013
Last year, Hugh Masekela and the theatre director James Ngcobo staged Songs Of Migration at the Market Theatre in Johannesburg,...
Reviewed by Nigel Williamson in issue: Nov/Dec/2011
This double album of piano suites is by prolific composer and pianist Tanya Ekanayaka, from Sri Lanka. Each of the...
Reviewed by Simon Broughton in issue: June/2023
This seasoned Brazilian musician and producer’s first solo album seems designed to divide opinion but challenge indifference. The minimalist minute-long...
Reviewed by Mark Sampson in issue: January/February/2024
Desassossego (Restlessness) is the second album by Matilde Cid, a fado singer-songwriter from Estremoz, east of Lisbon. Puro, Cid’s first...
Reviewed by Huw Hennessy in issue: April/2024
Nduduzo Makhathini, the South African pianist, composer, healer and philosopher, offers his third Blue Note Records album, uNomkhubulwane. This remarkable...
Reviewed by Hillary Palesa Morusi in issue: July/2024
She sings beautifully. She writes and composes. She speaks out against injustice. She makes her own out-there clothing. If ever...
Reviewed by Jane Cornwell in issue: Jan/Feb/2011
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