Surrounded by the bowed drones of Bridget Marsden's fiddle, Leif Ottosson's accordion and Morten Kvam's double bass, Sarah-Jane Summers' fiddle...
Reviewed by Matt Milton in issue: April/2019
Conceived by producers Paul Marsteller and Gabe Rhodes, The Beautiful Old, has a truly beautiful concept: to breathe back to...
Reviewed by Tim Cumming in issue: July/2013
Although Eliza Carthy has sung with her mother all her life, and recorded and toured with her in Waterson: Carthy,...
Reviewed by Julian May in issue: Aug/Sep/2010
You need to hear this record – as much for the quality of the music as for what it represents....
Reviewed by Nathaniel Handy in issue: Aug/Sep/2010
Whitefella Aussie bushman Charlie McMahon is of Irish heritage, but he’s been experimenting with the traditional Aboriginal didgeridoo since 1956....
Reviewed by Seth Jordan in issue: October/2012
Conceived by Australia-based Iranian tar (long-necked lute) virtuoso and composer Hamed Sadeghi, Eishan Ensemble is a rare attempt in fusing...
Reviewed by Charlie Cawood in issue: November/2018
Fiddler Brian Rooney first met banjoist John Carty in London in the early 1970s. At that time there was a...
Reviewed by Geoff Wallis in issue: October/2011
Sam Carter released his debut album, Keepsakes, three years ago, demonstrating an advanced guitar -picking skill honed from the mentorship...
Reviewed by Tim Cumming in issue: October/2012
When students Philip Knox and Nathaniel Morris found they shared a passion for Balkan music, specifically the kind discovered in...
Reviewed by Garth Cartwright in issue: Aug/Sept/2013
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