Reviews
Chamber Music
Ballaké Sissoko & Vincent Segal
This hypnotic masterpiece from the French label No Format is another fine example of the label’s penchant for putting musicians...
Reviewed by Rose Skelton in issue: Aug/Sep/2010
Shivelight
‘Shivelight’ is the light that dances and dapples through a canopy of trees; something that captures the essence of the...
Reviewed by Nathaniel Handy in issue: July/2018
One Day Band Vol 1
What can you achieve in one day? This is the question posed by Trestle Records in East London with their...
Reviewed by Tommie Black-Roff in issue: April/2020
This is How We Fly
The eponymously titled debut from Dublin-based four-piece is a singular, stylish and somewhat startling proposition. Originally brought together for the...
Reviewed by Michael Quinn in issue: Aug/Sep/2014
Volume One 1970-1979
‘Sorry’? The unusual first name is probably an Anglicisation of ‘Sorhy,’ which is itself a twisted version of the common...
Reviewed by Andy Morgan in issue: Aug/Sep/2011
All is Not Forgotten
All is Not Forgotten follows on from Miller's 2018 release Mercury, and a very pleasant follow-up it is too. New...
Reviewed by Billy Rough in issue: June/2020
For One Touch
Jure Tori is one of Slovenia's most celebrated accordionists, known for hopping with enviable ease between jazz, classical, Gypsy and...
Reviewed by Chris Moss in issue: October/2017
We Have One Destiny
Ayuune Sule discovered his passion for playing the kologo — a two-stringed lute — learning from the musicians who would...
Reviewed by Russell Higham in issue: June/2018
One Voice
An 11-piece band from the small indigenous community of Baniyala, situated on Blue Mud Bay in the Top End’s Gulf...
Reviewed by Seth Jordan in issue: January/February/2023
You’re the One
With You’re the One, Giddens is clearly hoping to broaden her appeal beyond the folk/roots/Americana stockade and her fan club...
Reviewed by Nigel Williamson in issue: October/2023
