Reviews
Polaris
Turin-dwelling musicians of southern Italian descent (Oreste Forestieri, Franco Montanaro and Valeria Quarta), delve into traditional forms from the southern...
Reviewed by Ciro De Rosa in issue: March/2023
Corazón de Piel Afuera
Since 1964's Madrugada, Juan ‘Tata’ Cedrón, at the head of assorted line-ups, has been performing a kind of free-form River...
Reviewed by Chris Moss in issue: Aug/Sep/2012
Chants du Dedans, Chants du Dehors
Hearing Meïkhâneh’s album, Chants du Dedans, Chants du Dehors (Songs from Inside, Songs from Outside), is akin to waking up...
Reviewed by Tim Cumming in issue: August/September/2022
Isula Ranni
Sharing a Sicilian background, the members of Rome-based Unavantaluna cohesively weave the island's traditional style and repertoire, sung in dialect,...
Reviewed by Ciro De Rosa in issue: July/2014
Rádio Kriola
The idea could have proved a little too ambitious, but the truth is that in a single grasp Catarina Dos...
Reviewed by GonÇalo Frota in issue: November/2018
Almas Rebeldes
Sudaka is a racial slur for ‘South American,’ used as often ironically as pejoratively. With this album of upbeat, cumbia-influenced...
Reviewed by Chris Moss in issue: Aug/Sep/2018
Hizbut Jámm
Polish guitarist and composer Raphael Rogiński has been busy. In September his solo album, Talàn, garnered rave reviews from all...
Reviewed by Olivia Cheves in issue: April/2024
Una Ronda Més
Una Ronda Més (One More Round) is the third album from Fenya Rai who hail from Valls, south-west of Barcelona....
Reviewed by Jo Setters in issue: September/2024
Perfeita Desordem
When one hears of a duo comprised of Portuguese guitar and classical guitar, fado understandably pops into mind. But although...
Reviewed by GonÇalo Frota in issue: June/2024
Ray and His Court
The Ray in question is organist Ray Fernandez, and his Miami-based Court include his wife and two sons, along with...
Reviewed by Mark Sampson in issue: February/March/2025
