Since her 1980s debut, New Zealand Māori singer Moana Maniapoto has remained at the forefront of Aotearoa’s Indigenous music scene,...
Reviewed by Seth Jordan in issue: January/2025
Soon after the release of Genuine Negro Jig by Carolina Chocolate Drops in 2010, the album rocketed into the top...
Reviewed by Doug Deloach in issue: April/2026
This disc is more in the nature of jazz-influenced mood music than anything else, and a long way from the...
Reviewed by Maria Lord in issue: March/2010
Following Guthrie's death in 1967, plans were made for a memorial concert at New York's Carnegie Hall. The event took...
Reviewed by Nigel Williamson in issue: Jan/Feb/2018
This short, finely-crafted album by Galician multi-instrumentalist Pancho Álvarez – his fourth solo record – reveals an artist on fine...
Reviewed by Tim Woodall in issue: October/2012
A Night in Abyssinia is based on a risky premise. On the one hand, turning in a mostly instrumental set...
Reviewed by Chris Menist in issue: October/2011
This trip back in time – some 40 years – is all courtesy of Analog Africa's crate-digger extraordinaire, Samy Ben...
Reviewed by Nigel Williamson in issue: Jan/Feb/2016
There are too many random, unfocused, greatest hits cover albums of Piazzolla’s work, so it’s good to see a record...
Reviewed by Chris Moss in issue: October/2021
Osmosi is a collage by three virtuoso Italian jazz-rock instrumentalists (Fabio Marconi, Alberto Pederneschi and Ivo Barbieri), blending styles from...
Reviewed by Neil van der Linden in issue: April/2022
Many a record containing messages of hope and unit was suppressed due to racist censorship during the South African apartheid...
Reviewed by Charlotte Algar in issue: December/2019
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