Reviews
An Introduction to Shirley Collins
You could say Shirley Collins needs little introduction and, certainly within the folk world, that is true. But this serves...
Reviewed by Tim Cumming in issue: November/2017
A Collection
The Be Good Tayas, a female trio from Vancpouver, have bee makig their very seductive music since 1999. Theyhave released...
Reviewed by Julian May in issue: Apr/May/2013
Dimbambe: Identité
Affable yet determined, velvet-smooth yet troubled. Such colourful, perhaps contradictory epithets could describe the Cameroonian Mario Combo and his fourth...
Reviewed by Daniel Brown in issue: Jan/Feb/2016
Sobre Noites e Dias
After a series of albums that dealt with specific themes and textures, such as dub or baile funk, Lucas Santtana...
Reviewed by Russ Slater in issue: March/2015
Rüya
Olcay Bayir's father was an aşik, a musical bard of Anatolia, and seems to have made a strong impression on...
Reviewed by Tom Newell in issue: May/2019
Bilinmeyenle Karşılaşmak
It has been 17 years since Oğur and Demircioğlu's last album, Anadolu Beşık. The best-loved duo of Turkish folk have...
Reviewed by Francesco Martinelli in issue: October/2017
Roforofo Fight
Following Fela Kuti’s trip to the US in 1969, he returned to Nigeria with a revolutionary mission, changed the name of his...
Reviewed by Nigel Williamson in issue: October/2022
At My Mother’s Piano
Can memory be preserved through sound? Can a place and a point in time be captured in the soft fall...
Reviewed by Rosie Solomon in issue: May/2025
A Cimbalomprímás
The title of this album means ‘The Cimbalom Primás’ or bandleader and the player in question is Bálint Tárkány-Kovács, one...
Reviewed by Simon Broughton in issue: March/2023
Adventures in the Now
This is the fourth instalment of genre crossing ethno-jazz fusion from Finnish multi-instrumentalist Ilkka Arola and his band Sound Tagine....
Reviewed by Andrew Taylor-Dawson in issue: June/2025
