Soon after the release of Genuine Negro Jig by Carolina Chocolate Drops in 2010, the album rocketed into the top...
Reviewed by Doug Deloach in issue: April/2026
Daniel Misiani came to the attention of non-Kenyans in the late 80s with two albums released in the UK that...
Reviewed by Alastair Johnston in issue: October/2010
This disc is more in the nature of jazz-influenced mood music than anything else, and a long way from the...
Reviewed by Maria Lord in issue: March/2010
Following Guthrie's death in 1967, plans were made for a memorial concert at New York's Carnegie Hall. The event took...
Reviewed by Nigel Williamson in issue: Jan/Feb/2018
Co-produced by Nick ‘Midas Touch’ Page (Dub Colossus, Syriana) and recorded live in one room over two days at the...
Reviewed by Jane Cornwell in issue: July/2012
This short, finely-crafted album by Galician multi-instrumentalist Pancho Álvarez – his fourth solo record – reveals an artist on fine...
Reviewed by Tim Woodall in issue: October/2012
A Night in Abyssinia is based on a risky premise. On the one hand, turning in a mostly instrumental set...
Reviewed by Chris Menist in issue: October/2011
Skip & Die are an enigmatic creative duo who've made a debut album that could and should be reviewed by...
Reviewed by Max Reinhardt in issue: March/2013
There are too many random, unfocused, greatest hits cover albums of Piazzolla’s work, so it’s good to see a record...
Reviewed by Chris Moss in issue: October/2021
Osmosi is a collage by three virtuoso Italian jazz-rock instrumentalists (Fabio Marconi, Alberto Pederneschi and Ivo Barbieri), blending styles from...
Reviewed by Neil van der Linden in issue: April/2022
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