Reviews
Super Nova Samba Funk
Over a decade that’s seen all kinds of obscure and often fantastic Brazilian funk prised from the archives, the band...
Reviewed by Brendon Griffin in issue: Aug/Sep/2011
Gloryland
There are a lot of trad jazz revivalist acts out there. The LA-based seven-piece California Feetwarmers are one of many...
Reviewed by Matt Milton in issue: June/2019
The Calais Sessions
Various Artists, Featuring the Musicians of the Calais ‘Jungle’
One weekend in September 2015, a group of international musicians based in the UK visited the now-demolished refugee and migrant...
Reviewed by Nigel Williamson in issue: Jan/Feb/2017
This Is Not Fusion
Too many fusion projects, argues Amit Chaudhuri, are simply an adding–on of ignorant exoticism, a mystical sitar or sexy Latin...
Reviewed by Peter Culshaw in issue: Apr/May/2010
Acoustic
Oumou Sangaré's label have certainly got some mileage out of her brilliant 2017 album, Mogoya. It was followed a year...
Reviewed by Nigel Williamson in issue: Aug/Sept/2020
Kaftan d’Alma
Maybe we can blame a common Mediterranean feeling working its way into a shared culture, but it is quite interesting...
Reviewed by GonÇalo Frota in issue: December/2021
The Art of the Chinese Guzheng
This album is a tribute to the main regional styles of guzheng (21-string zither) music in China. Having worked with...
Reviewed by Hyelim Kim in issue: June/2019
Studies in Bossa
Following on from assorted Azymuth-related releases over the last few years, Far Out keep it in the family with this...
Reviewed by Brendon Griffin in issue: Apr/May/2011
Roots of the Banjo Tree
“What's the definition of perfect pitch?” goes the old joke to which the jocular riposte is “Throwing a banjo into...
Reviewed by Geoff Wallis in issue: March/2013
Els Ignorants
Three of the five musicians in the Barcelona-based Rumba Vella are part of Rumbamazigha (reviewed in #77), a project that...
Reviewed by Garth Cartwright in issue: Aug/Sep/2011
