Reviews
RE: Plugged
The irony with remixes is that they tend to make something very much of-the-moment while simultaneously cursing it to sound...
Reviewed by Howard Male in issue: March/2011
Oro
Grammy-nominated darlings Choc Quib Town are the real deal: a trio who preserve the heritage of such traditional Afro-Colombian rhythms...
Reviewed by Jane Cornwell in issue: June/2010
Voices from the Empty Moor (Songs of Anne Briggs)
Imagine ‘She Moved Through the Fair’ given voice through bowed solo bass, its opening notes rumbling like the subterranean calls...
Reviewed by Tim Cumming in issue: November/2021
Shangaan Electro: New Wave Dance Music From South Africa
Love the likembé-twanging chaos of Konono No 1? Ever have a sneaky listen to Kraftwerk when the electro-mood hits you?...
Reviewed by Jane Cornwell in issue: Nov/Dec/2010
Caravan Palace
France has long led the way when it comes to contemporary artists reinterpreting Gypsy jazz and swing, inevitably inspired by...
Reviewed by Ed Stocker in issue: June/2011
Original Broadway Cast Recording
World Circuit protected the integrity of its multi-million selling brand of Cuban nostalgia vigorously, refusing large sums to license Buena...
Reviewed by Nigel Williamson in issue: October/2025
Entity
This album is from Belgium, a nation seemingly adept at encouraging musical collaborations between different communities – Voxtra's The Encounter...
Reviewed by Garth Cartwright in issue: December/2017
Outstanding
Outstanding was recorded by a Montréal-based group of Canadian and Cuban musicians, Timba MM (pronounced ‘timba emmay emmay’). The accompanying...
Reviewed by Charlotte Algar in issue: November/2021
All We Have is Now
Self-proclaimed Highland neo-trad quintet Elephant Sessions are a curious mix of traditional roots, electronic, rock and funk. Comprising Euan Smille...
Reviewed by Billy Rough in issue: July/2017
The Rough Guide to Psychedelic Salsa
Whether or not the odd trippy fuzz guitar, some intergalactic electronic keyboards and a dash of echo really qualifies as...
Reviewed by Mark Sampson in issue: Apr/May/2015
