Reviews
Eadarainn a’ Chruit: Between Us the Harp
Marshalsay’s second album focuses on the three different harps of Scotland (the lever harp, the wire-strung clarsach from the Gaelic...
Reviewed by Billy Rough in issue: January/2026
These Mountain Blues
His name might sound as Scottish as oatcakes, single malt whisky, heather or tossing the caber, but that doesn’t mean...
Reviewed by Jon Lusk in issue: May/2016
Tjamuku Ngurra: Grandfather's Country
Aboriginal desert reggae-rock has a history dating back to the late-70s, when Central Australian bands such as No Fixed Address...
Reviewed by Seth Jordan in issue: Aug/Sep/2014
Studies in Bossa
Following on from assorted Azymuth-related releases over the last few years, Far Out keep it in the family with this...
Reviewed by Brendon Griffin in issue: Apr/May/2011
Sonando Ya
The Sierra Maestra, the mountainous region where the leading lights of the 1959 Cuban revolution hid out, is intimately associated...
Reviewed by Chris Moss in issue: March/2010
El Alimento
Medical student turned padrino del funk, Cimafunk has been one of the hottest names in Cuban music since releasing his...
Reviewed by Russ Slater in issue: December/2021
The Golden Angle
It's hard to know what to make of this album. David Benedict is clearly an extraordinarily gifted young musician, zipping...
Reviewed by Matt Milton in issue: Jan/Feb/2019
A Country’s Soul: 1945-1957
The great, groundbreaking monarch of Portuguese fado hasn’t really been given her due in » terms of disc space in...
Reviewed by Jon Lusk in issue: June/2013
Nos Quintais do Mundo
Perhaps DJ Tudo should change his name, or at least that deceptive prefix of his, for it hides the fact...
Reviewed by Russ Slater in issue: March/2012
Orient Noir: A West-Eastern Divan
In the saturated compilation market these days it’s all about packaging and presentation. The ‘noir’ concept by the German label...
Reviewed by Nigel Williamson in issue: Jan/Feb/2013
