Maykel Elizarde, Dayron Ortega Guzmán, & Eduardo Silveira
Meaning ‘Spontaneous’, Espontáneo is more a recording of a coincidental collective than a band per se. While in Havana working...
Reviewed by Gabrielle Messeder in issue: May/2019
If you’re new to fado, then this is an excellent place to start, but even if you’re already a dedicated...
Reviewed by Michael Macaroon in issue: Apr/May/2015
Given that Dub Colossus's debut, A Town Called Addis, was one of the best albums of 2008 and that this...
Reviewed by Howard Male in issue: July/2011
Arcana announces itself with ‘Kalavati’, a driving fusion track named after a Hindustani raga; the piece establishes the album as...
Reviewed by Liam Izod in issue: July/2018
This third ‘mixtape album’ from Orchestra of the Swan continues the classical ensemble’s adventures into bending and breaking genre boundaries....
Reviewed by Michael Quinn in issue: April/2024
Hochzeitskapelle & Japanese Friends
Hochzeitskapelle are a German instrumental quintet comprised of musicians from the Munich Jazz scene, who have garnered a reputation for...
Reviewed by Charlie Cawood in issue: January/February/2024
As they celebrate 25 years, this double CD is clear proof that Riverboat Records is Britain’s most prolific and wide-ranging...
Reviewed by Simon Broughton in issue: June/2014
Followers of Nick Page, former frontman of Transglobal Underground and serial musical collaborator, might be surprised by his latest project....
Reviewed by Ed Stocker in issue: October/2010
Aotearoa's (or New Zealand's) hi-tech, self-described ‘seven-headed soul monster’ doesn’t make studio albums in any sort of haste. This eagerly...
Reviewed by Jon Lusk in issue: Jan/Feb/2016
After recently focusing on traditional songs, Burnell’s sixth album finds him back with pen in hand. Joined by a collection...
Reviewed by Glenn Kimpton in issue: October/2020
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