Hildá Länsman, a young vocalist from northern Finland's indigenous Sámi community, fuses traditional joik chant-singing with electronic pop in the...
Reviewed by Wif Stenger in issue: July/2019
In the late 80s Ayub Ogada was one of the great ‘discoveries’ of WOMAD. His 1993 album En Mana Kuoyo...
Reviewed by Martin Sinnock in issue: July/2015
Elizabeth Davidson-Blythe & Daniel Quayle
Boston-born fiddler Elizabeth Davidson-Blythe and bouzouki, guitar and piano player Daniel Quayle from the Isle of Man first began playing...
Reviewed by Kevin Bourke in issue: December/2022
Danielle de Gruttola, Henry Kaiser, Benedicte Maurseth & Stein Urheim
After the plaintively beautiful but solitary sound of Benedicte Maurseth’s self-titled solo album (reviewed in the November 2019 issue, #152),...
Reviewed by Tony Gillam in issue: Aug/Sep/2021
Eric Slabiak, the driving force behind Josef Josef, was for many years part of Les Yeux Noirs alongside his brother...
Reviewed by Asher Breuer-Weil in issue: March/2020
Anders Hagberg & Ahmad Al Khatib
Ahmad Al Khatib's last CD, Sabîl, was one of the most impressive solo oud recordings to have appeared in recent...
Reviewed by Bill Badley in issue: Apr/May/2015
Fifty years ago the Incredible String Band emerged from the Scottish folk scene to create an extraordinary fusion of folk,...
Reviewed by Nigel Williamson in issue: March/2016
The spirit of Genoa resounds through this celebration of the singing circle of trallalero – a form of urban traditional...
Reviewed by Ciro De Rosa in issue: Jan/Feb/2017
Catrin Finch & Aoife Ní Bhriain
Catrin Finch continues to startle and amaze. Classically trained, and now surely the finest, best-known harpist in Britain, she has...
Reviewed by Robin Denselow in issue: December/2023
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