The ninth studio album from the blind Malian duo opens with ‘Bofou Safou’, a disco-fied electro-pop excursion that you'd be...
Reviewed by Nigel Williamson in issue: November/2017
While she could play the tragic heroine with a bleeding heart with the best of them, Chavela Vargas was also...
Reviewed by Chris Moss in issue: April/2018
Salif Keita’s record company are claiming La Différence is the ‘third chapter of an acoustic trilogy’, following his two wonderful...
Reviewed by Nigel Williamson in issue: Apr/May/2010
It's been a long time coming – since school days, one could say – and the speakers positively burst with...
Reviewed by Mark Sampson in issue: April/2021
Described by Chucho Valdés no less as “a virtuoso”, the Switzerland-based, Cuban-born singer and violinist’s album, Erzulie, received five stars...
Reviewed by Mark Sampson in issue: April/2026
Nothing startles these days. Postmodernism has attuned us to collage, palimpsest and pastiche. But this sampling of sonic essays on...
Reviewed by Chris Moss in issue: March/2019
You don’t know what you’ve got ’til it’s gone. Perhaps in recent years, we grew guilty of rather taking for...
Reviewed by Nigel Williamson in issue: December/2025
Since 2012, the group Saodaj from La Réunion has been following its own path, becoming one of the most emblematic...
Reviewed by Łukasz Komła in issue: February/March/2026
For many years, Canadian singer Aviva Chernick was the vocalist with Toronto-based klezmer group Jaffa Road. Having gone solo, she's...
Reviewed by Simon Broughton in issue: Jan/Feb/2020
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