Reviews
Carta a mi Amada
The ultimate world music, tango had crossed the globe many decades before any such phrase was coined. It is a...
Reviewed by Chris Moss in issue: April/2018
Life as Is
Themes of uncertainty and impermanence run deep throughout this album, itself a product of an unlikely chance encounter between Syrian...
Reviewed by Charlie Cawood in issue: Aug/Sep/2018
Where’s the One?
Kinshasa’s Congotronic axis meet chosen international artists and create an epic, euphoric mash-up celebrating the tenth anniversary of a historic...
Reviewed by Max Reinhardt in issue: June/2022
Number One Bus
Dressed in griot-chic and wielding his gimbri like a Fender Stratocaster, Nuru Kane comes on like a trans-Saharan cross between...
Reviewed by Brendon Griffin in issue: July/2010
One for the Pot
All music begins with the human voice, and The Teacups’ success is borne out of their trust in a pure...
Reviewed by Nathaniel Handy in issue: Apr/May/2014
Humanity is Falling Apart
For better or worse, the ominous title of this new album by Moh Alileche is not borne out by the...
Reviewed by Jo Setters in issue: Aug/Sep/2021
More Than One
From the very beginning of this album it is apparent that we are dealing with musicians as equally well-versed in...
Reviewed by Tom Newell in issue: June/2020
One for the Road
Session A9 are made up of road veterans of Capercaillie, Peatbog Faeries, Boys of the Lough and Fiddlers’ Bid. You...
Reviewed by Tim Cumming in issue: Apr/May/2011
Studio One Showcase
Clement Dodd (1932-2004), founder of Studio One, pioneer of the Kingston sound systems, master producer and talent scout, recorded more...
Reviewed by Garth Cartwright in issue: May/2016
Un Çhengey: One Tongue
One Tongue melds three voices from three different Celtic song traditions – Scottish, Irish and Manx Gaels. Ruth Keggin is...
Reviewed by Tim Cumming in issue: March/2016
