Tapi put their best feet forward on opener ‘Paigam’, with a surando (folk fiddle) sample introducing a reflective vocal refrain....
Reviewed by Liam Izod in issue: July/2019
Norwegian folk and Arabic maqam engage in an understated courtship on this debut record by violinist Inger Hannisdal. Bass, drums...
Reviewed by Liam Izod in issue: December/2022
Zorongo Blu offers an accomplished but not entirely comfortable fusion of jazz and flamenco. The group take their name from...
Reviewed by Liam Izod in issue: Aug/Sep/2019
Melanie Eden is an Australian performance poet and musician who does not do things by halves. Notable for her unvarnished...
Reviewed by Liam Izod in issue: December/2021
Yorkshire-based Karnatic singer Supriya Nagarajan recalls the India of her youth on this record, which highlights the wonder and mystery...
Reviewed by Liam Izod in issue: November/2022
Jembaa Groove’s 2022 debut album was a highlife highlight (a Top of the World in #177). The Berlin-based group elegantly...
Reviewed by Liam Izod in issue: June/2024
Aftab’s 2021 album Vulture Prince transcended art music obscurity to enjoy blanket broadsheet coverage. It won the Pakistani-American artist a...
Reviewed by Liam Izod in issue: August/2024
Kwashibu Area Band’s two well-received album collaborations with Pat Thomas have placed them at the centre of a renaissance in...
Reviewed by Liam Izod in issue: June/2025
Oud master Mehmet Polat’s seventh record fizzes with energetic, odd-time compositions. He develops a cross-cultural conversation that Dave Brubeck picked...
Reviewed by Liam Izod in issue: July/2025
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