When it comes to cinema, ‘urban’ may be a synonym for gritty andmonochromatic, but that is most certainly not the...
Reviewed by Russ Slater in issue: October/2013
Unreconstructed field recordings of folk songs and instrumental pieces may not be everybody’s cup of tea, but this collection provides...
Reviewed by Keith Howard in issue: Nov/Dec/2013
In 2016 Frank London (The Klezmatics, Hasidic New Wave etc) was invited to be artist-in-residence for the celebration of the...
Reviewed by Tom Newell in issue: June/2021
The most striking feature of Brownswood's Cuban series has been its focus on unearthing new talents and creating hybrid sounds....
Reviewed by Russ Slater in issue: Jan/Feb/2015
From Tuva via Moscow to Vienna, Sainkho here visits abandoned islands in the Venetian lagoon, improvising lyrical vocal lines, soft...
Reviewed by Keith Howard in issue: July/2023
These are the final releases in the excellent Czech label Indies Scope's survey of Moravian music. While the first four...
Reviewed by Simon Broughton in issue: April/2016
Better known for bass playing than for his equally natural singing ability, Clinton Fearon reflects on his career with legendary...
Reviewed by Clyde Macfarlane in issue: June/2013
For decades, this singer-songwriter has ploughed a lonely furrow, working latterly from his home studio in a Havana suburb. His...
Reviewed by Philip Sweeney in issue: July/2014
Discerning souls like Martin Green, Kris Drever and Chris Wood are already fans of this idiosyncratic Scottish songwriter. But unless...
Reviewed by Kevin Bourke in issue: July/2015
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