Toumani Diabaté & Sidiki Diabaté
The kora is an age-old instrument, rich in history, yet its promotion as a solo instrument is relatively recent. This...
Reviewed by Nigel Williamson in issue: June/2014
Zoe Muth & the Lost High Rollers
Zoe Muth has been called Seattle's answer to Emmylou Harris, Kitty Wells or Iris Dement, depending on who you believe....
Reviewed by Doug Deloach in issue: June/2011
There are many excellent recordings of Arab-Andalusian music, including dozens on the label Pneuma, directed by the Spanish musicologist Eduardo...
Reviewed by Neil van der Linden in issue: October/2018
Africa Moo Baalu means ‘Big People of Africa,’ and the album effectively reads as an open letter to leaders in...
Reviewed by Jim Hickson in issue: June/2014
Nusrat Fateh Ali Khan & Michael Brook
This is the latest classic in the Real World Gold series. As such, it is a little peculiar, being a...
Reviewed by Nathaniel Handy in issue: Nov/Dec/2013
Like an Americanised version of Pentangle, Elephant Revival apply Superior instrumental acumen, idiosyncratic style, and a knack for compelling writing...
Reviewed by Doug Deloach in issue: Apr/May/2014
Active for 20 years, Otava Yo are probably the most successful Russian band on the world music scene with their...
Reviewed by Simon Broughton in issue: September/2024
The Taklamakan Desert is situated in the south-east of Xinjiang – a province in northwest China that serves as the...
Reviewed by Charlie Cawood in issue: Aug/Sept/2013
Andy Cutting is a great musician, known best for his work with other people. His melodeon (squeezebox) playing was crucial...
Reviewed by Julian May in issue: Aug/Sep/2010
Kërkim (Albanian for ‘Research’) is an Apulian five-piece outfit augmented with a few guests. The result might be wrongly filed...
Reviewed by Ciro De Rosa in issue: March/2021
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