Reviews
Grief in the Kitchen and Mirth in the Hall
Roberts has released a number of albums devoted to traditional songs over the course of the past two decades, 2010's...
Reviewed by Tim Cumming in issue: May/2023
Con Sentimiento
Born in just 2002 in Güines (just south of Havana), Noslen Noel has already made a name for himself as...
Reviewed by Charlotte Algar in issue: October/2021
Rise & Shine
Sierra Leone's Refugee All Stars
Following the acclaimed film documenting this group's journey from residents of a Guinean refugee camp to international touring band, Rise...
Reviewed by Rose Skelton in issue: June/2010
Dominion
This quartet is the combination of two duos – Nancy Kerr and James Fagan with Richard and Jess Arrowsmith –...
Reviewed by Tim Woodall in issue: Jan/Feb/2018
Eboni Band
In 1981, Motown producer Art Stewart travelled to Abidjan to scope out the possibility of a series of African-American collaborations...
Reviewed by Nigel Williamson in issue: October/2021
The Drunken Gaugers
Kevin Crawford, Dylan Foley & Patrick Doocey
There's a delightfully tipsy quality to the familiar jig that gives this album, from three scions of New York's Irish...
Reviewed by Michael Quinn in issue: December/2017
Jiw
It took eight years of personal introspection and musical exploration for the Dakar-based Sahad Sarr to bring out his debut...
Reviewed by Daniel Brown in issue: July/2017
Bright Field
Bright Field is a strong follow-up to Rowan and Anna Rheingans’ excellent 2015 album Already Home(a Top of the World...
Reviewed by Tim Cumming in issue: May/2018
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Vōytek (The Bear)
Klezmer has a rebel soul and this is certainly not absent in Tantz's debut album. The fact that they have...
Reviewed by Tom Newell in issue: Jan/Feb/2016
Ear Snacks
That this San Francisco-based band records and performs with numerous like-minded guests suggests the current good health of country rock...
Reviewed by Jeff Kaliss in issue: June/2023
