It has been 17 years since Oğur and Demircioğlu's last album, Anadolu Beşık. The best-loved duo of Turkish folk have...
Reviewed by Francesco Martinelli in issue: October/2017
Born out of an encounter between Ruth Daniel of the charity In Place of War and Johannesburg's Keleketla! Library in-house...
Reviewed by Alex De Lacey in issue: Aug/Sept/2020
Alexander Fedoriouk is a Ukrainian cimbalom player, currently living in Cleveland, Ohio. The cimbalom is the hammered dulcimer of Eastern...
Reviewed by Martin Longley in issue: October/2021
Peter Croft with Mark Jones & Hazel Fairbairn
Button Box Breakdown is an understated and unpretentious instrumental album performed with charm and plenty of musical dexterity. Peter Croft...
Reviewed by Martin Sinnock in issue: June/2020
Gerardo Núñez's infrequent albums have offered persuasive evidence that he is one of the contemporary flamenco guitarists most fluent in...
Reviewed by Jo Setters in issue: October/2012
Simon Mayor started out as a guitarist and fiddler before emerging as a pre-eminent mandolin player and composer. With Carolan...
Reviewed by Tony Gillam in issue: May/2023
Released in 1966, this was the Mahotella Queens' debut, comprising their first seven singles plus B-sides recorded over the previous...
Reviewed by Nigel Williamson in issue: May/2020
Martha Tilston's previous albums mixed lyricism and a clear, ringing voice with social-political themes, but The Sea is her first...
Reviewed by Tim Cumming in issue: Jan/Feb/2015
The Ligeti Quartet perform a series of pieces by British composer Christian Mason, inspired by two very different traditions of...
Reviewed by Tom Newell in issue: December/2020
Alasdair Fraser & Natalie Haas
The collaboration between Alasdair Fraser, a US-based Scottish violinist and all-round fiddle music evangelist, and American cellist Natalie Haas is...
Reviewed by Tim Woodall in issue: Apr/May/2014
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