This very effective album comes from Karnatak violinist Jyotsna Srikanth, ably supported by BC Manjunath on mridangam (barrel drum) and...
Reviewed by Maria Lord in issue: November/2024
Opening with minimal, subliminal guitar, very quiet and very still, an expressive fiddle soon eases in, the two shapeshifting around...
Reviewed by Tim Cumming in issue: September/2025
The Avenida Paulista is the beating heart of São Paulo. Nowhere is the wide disparities in Brazilian society more apparent...
Reviewed by Andy Cumming in issue: August/2025
Way back at the dawn of the 1980s, the slow’n’rootsy style of Zimbabwean chimurenga, as played by the mighty Thomas...
Reviewed by Martin Longley in issue: January/2026
Souad Massi is moving on, yet again. Originally famed for her exquisite, folk-country influenced sad ballads in Arabic and French,...
Reviewed by Robin Denselow in issue: April/2026
Sometime in the late 1980s I made a radio feature saluting the emergence of ‘New Wave English Country Dance Music.’...
Reviewed by Julian May in issue: Jan/Feb/2010
The Naghash Ensemble take their name from Mkrtich Naghash, a 15th-century Armenian poet, priest and painter. Living in the Armenian...
Reviewed by Simon Broughton in issue: May/2020
With an energy beyond that of normal mortals, these enthusiastic Solomon Islanders are a festival promoter's dream: Melanesian men with...
Reviewed by Seth Jordan in issue: Jan/Feb/2015
No one does Colombia with as much attention to detail as Soundway Records. Their latest two-CD release, Ondatrópica, is a...
Reviewed by Clyde Macfarlane in issue: Aug/Sep/2012
Love the likembé-twanging chaos of Konono No 1? Ever have a sneaky listen to Kraftwerk when the electro-mood hits you?...
Reviewed by Jane Cornwell in issue: Nov/Dec/2010
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