This is an incredible performance by Pakistani master vocalist Ustad Saami, one that demands that you listen and re-listen to...
Reviewed by Maria Lord in issue: November/2020
Michalis Kouloumis, Tristan Driessens, Miriam Encinas
The ensemble here is violin (Michalis Kouloumis), oud (Tristan Driessens) and frame drums (Miriam Encinas), and the idea is to...
Reviewed by Simon Broughton in issue: October/2023
Album number two from Irish-Danish four-piece Mórga, sees David Munnelly replace Barry Brady on accordion. But in all other respects...
Reviewed by Michael Quinn in issue: Aug/Sep/2014
Rhayader guitarist Toby Hay's latest work sees his newly commissioned Fylde Ariel acoustic take centre stage on a solo album...
Reviewed by Glenn Kimpton in issue: September/2025
Mahmoud Ahmed & The Imperial Bodyguard Band
This latest release in the long running Éthiopiques series is very much a game of two halves. The opening five...
Reviewed by Chris Menist in issue: Nov/Dec/2010
North India’s favourite percussion instrument, the tabla, has always been relegated to being an accompaniment and it was the subservient,...
Reviewed by Jameela Siddiqi in issue: July/2022
Zār is a rite that arrived in Egypt with migration – partly due to slavery – from sub-Saharan East Africa....
Reviewed by Neil van der Linden in issue: March/2022
Ghetto Priest, best known as the Rastafarian frontman for electronica/fusion legends Asian Dub Foundation, has released this solo album as...
Reviewed by Clyde Macfarlane in issue: November/2017
In these pages last year (#120) I reviewed Greg Vandy's book 26 Songs in 30 Days: Woody Guthrie's Columbia River...
Reviewed by Nigel Williamson in issue: June/2017
Visitors to Port of Spain's legendary carnival will recall Panorama, the steel band competition at which bands – some up...
Reviewed by Charles De Ledesma in issue: November/2015
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