Suistamon Sähkö exist in their own colourful world and, every so often, I’m glad to say, they let us in....
Reviewed by Fiona Talkington in issue: October/2021
Castellum Honesti was originally recorded in Dublin and released in 1989. The fact that a band from Galicia should end...
Reviewed by GonÇalo Frota in issue: October/2014
Heidi Talbot’s latest album is borne from separation and adversity – recorded in a home in the process of being...
Reviewed by Tim Cumming in issue: July/2022
If you are familiar with Portuguese guitar, you should have by now come across the names of Artur and Carlos...
Reviewed by GonÇalo Frota in issue: April/2023
Welcome to the Nashville living room of Adrian and Meredith Krygowski, where they and a few friends have worked on...
Reviewed by Tom Newell in issue: November/2021
The Samaïa trio consists of vocalists Eléonore Fourniau, Noémie Nael and Luna Silva, who weave together musical influences from Anatolia,...
Reviewed by Glenn Kimpton in issue: June/2023
The zither-like kantele has its roots deep in Finnish history and Venäläinen, on her debut album, embraces its beauty and...
Reviewed by Fiona Talkington in issue: January/February/2024
Hailing from the Basque country and sharing a name with the great 14th-century explorer who travelled from North Africa all...
Reviewed by Nigel Williamson in issue: March/2024
Jembaa Groove’s 2022 debut album was a highlife highlight (a Top of the World in #177). The Berlin-based group elegantly...
Reviewed by Liam Izod in issue: June/2024
Brought together by Peter Solo of Togolese funk band Vaudou Game, the five members of Nana Benz grew up in...
Reviewed by Nigel Williamson in issue: October/2023
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