Reviews
Ego
This international collective formed 15 years ago in Brussels to explore their Afro-Colombian roots and fuse traditional rhythms with the...
Reviewed by Mark Sampson in issue: August/2025
It’s Not Going to be Okay
A follow-up to last year’s enticingly experimental Teeth of Time, Joshua Burnside’s latest release is a softer, more sentimental offering...
Reviewed by Olivia Cheves in issue: April/2026
BarrioKandela
“Doctor Nativo doesn’t make music to fit into genres” his publicity suggests, “he makes music to remember.” In creating his...
Reviewed by Mark Sampson in issue: May/2026
Final
For decades, this singer-songwriter has ploughed a lonely furrow, working latterly from his home studio in a Havana suburb. His...
Reviewed by Philip Sweeney in issue: July/2014
Africa Soyo
London-based Gnawa master Simo Lagnawi returns with his latest album, Africa Soyo, a clean, crisp recording – something that's very...
Reviewed by Yousif Nur in issue: April/2020
Presents… Kingsize Blackfoot
Jinder is one Phil Dewhurst, a West Country based musician who is very tall and has Blackfoot Sioux bloodlines in...
Reviewed by Garth Cartwright in issue: October/2017
New Luk Tung
This album is the latest Thai release from Japan's EM Records and marks a departure from previous reissues of Thai...
Reviewed by John Clewley in issue: December/2019
Balabeatz
It’s the fourth album in almost ten years for this band created in Toulouse when balafon virtuoso Seydou Diabaté and...
Reviewed by Jean Berry in issue: July/2025
Kapaim
Multi-instrumentalist Uri Brauner Kinrot has been leading his Ouzo Bazooka outfit for over a decade now, helping pioneer a blend...
Reviewed by Paul Bowler in issue: September/2025
There Is Beauty, There Already
Drummer and composer Sarathy Korwar’s seventh album is a singular experiment in slow listening and percussive potential. It emerges alongside...
Reviewed by Liam Izod in issue: December/2025
