‘I would choose to live back when calypso brought the news’, sings Drew Gonsalves in the opening seconds of Jumbie...
Reviewed by Clyde Macfarlane in issue: June/2013
Trump's America ought to be a fertile breeding ground for modern protest songs, but if they're out there, we don't...
Reviewed by Nigel Williamson in issue: November/2019
Femi Kuti's last album, 2018's One People One World, was disappointing; it lacked the bite of earlier recordings and sounded...
Reviewed by Nigel Williamson in issue: March/2021
Opening track ‘Yebo’ sets the pace: bursting with warmth, vibrant and upbeat, it proves Thab ani N yo ni is...
Reviewed by Jane Cornwell in issue: Jan/Feb/2011
Andy Cutting is a great musician, known best for his work with other people. His melodeon (squeezebox) playing was crucial...
Reviewed by Julian May in issue: Aug/Sep/2010
London-based Gnawa master Simo Lagnawi returns with his latest album, Africa Soyo, a clean, crisp recording – something that's very...
Reviewed by Yousif Nur in issue: April/2020
It’s the fourth album in almost ten years for this band created in Toulouse when balafon virtuoso Seydou Diabaté and...
Reviewed by Jean Berry in issue: July/2025
Drummer and composer Sarathy Korwar’s seventh album is a singular experiment in slow listening and percussive potential. It emerges alongside...
Reviewed by Liam Izod in issue: December/2025
The French-Swiss quartet of organist Cédric Schaerer, drummer Hadrien Santos Da Silva, tenor sax player Arthur Donnot and guitarist Erwan...
Reviewed by Nigel Williamson in issue: April/2022
Known as much for his books on guitar playing as his virtuosity, Spanish maestro Juan Martín possesses quite a lineage....
Reviewed by Chris Moss in issue: July/2019
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