Reviews
Nsie Nsie
Y-Bayani & Baby Naa & The Band of Enlightenment, Reason & Love
Ghanaian singers Y-Bayani and Baby Naa give their spin on African roots reggae on Nsie Nsie. Fusing reggae grooves with...
Reviewed by Dan Hobson in issue: June/2020
The Bridge
Arash Moradi plays the tanbur – a saz-like long-necked lute that is played in Iranian Kurdistan. For many it is...
Reviewed by Simon Broughton in issue: June/2018
Kuetumbari
Guitarist Jeannot Bel is one of a handful of fine Congolese musicians based in the UK who are managing to...
Reviewed by Martin Sinnock in issue: October/2012
Gach Sgeul – Every Story
The four and a half years since Julie Fowlis’ last studio album, Uam, have been transformative for her. Now a...
Reviewed by Nathaniel Handy in issue: Apr/May/2014
Listen
American-born of Indian heritage, Nitish Kulkarni took a Masters degree in music production at the Berklee Campus in Valencia, Spain....
Reviewed by Simon Broughton in issue: October/2018
Luys i Luso
Tigran Hamasyan & the Yerevan State Chamber Choir
The supreme art form in Armenian culture is, I would argue, its ecclesiastical architecture. Those rugged churches with conical domes...
Reviewed by Simon Broughton in issue: December/2015
Got to Be Tough
The first Toots and the Maytals release in over ten years is a big deal for reggae enthusiasts. The 77-year-old...
Reviewed by Clyde Macfarlane in issue: October/2020
The Peacock and the Sunflower
Veretski Pass are one of the world’s leading traditional klezmer bands, partly because they search out unusual and little-known repertoire....
Reviewed by Simon Broughton in issue: April/2025
Manos Panamericanos
The story of this unlikely duo, Larry & Joe, is a powerful indictment of US immigration. A renowned musician and...
Reviewed by Devon Léger in issue: January/2025
Cosmic Griots
Consistently funky and smile-inducing multi-diasporic Polish band The Afronauts channel the classic Afrobeat sound of Fela Kuti, the Ghanaian highlife...
Reviewed by Andrew Taylor-Dawson in issue: July/2025
