Reviews
The Louder the Better
The sixth studio album from Glasgow’s ‘Raggamuffin Queen’ is further proof that Soom T is a prolific singer-songwriter with a...
Reviewed by Robin Denselow in issue: December/2023
Vocês Querem Mate?
Vocês Querem Mate? is the latest instalment in Far Out's ongoing resurrection of the catalogue on Roberto Quartin's long-buried record...
Reviewed by Brendon Griffin in issue: June/2017
Lost & Undone: A Gospel Bluegrass Companion
Lost & Undone is a bona fide gospel album, graced by songs popularised by legendary country and bluegrass artists and...
Reviewed by Doug Deloach in issue: March/2014
Diaspora
Wilber Calver is a brave man. The idea of using the bagpipes to reflect the African diaspora might strike you...
Reviewed by Olivia Haughton in issue: October/2012
Hali Diallo
For a lot of Touareg desert blues, the drums are the well of rhythm in the undergrowth of the music,...
Reviewed by Asher Breuer-Weil in issue: April/2019
High on Life
What hits you immediately upon initially listening to Marvara’s debut release is the incredible whirlwind of energy coming from the...
Reviewed by James Roriston in issue: May/2022
30 Years Live!
Steve Riley & the Mamou Playboys
If Steve Riley & the Mamou Playboys are a new band to you, then you probably haven't listened to much,...
Reviewed by Doug Deloach in issue: October/2019
Hawksworth
Perhaps best known as the tub-thumper responsible for the awkward, stumbling funk of art rock weirdos Dead Rider, Matt Espy...
Reviewed by Spencer Grady in issue: July/2023
Aykathani Malakon
Beirut-based sextet, SANAM, were formed in 2022 in response to an invitation to perform with Hans Joachim Irmler, formerly of...
Reviewed by Daniel Spicer in issue: August/September/2023
