Reviews
Where the Gods are in Peace
Brooklyn's Antibalas have been releasing Afrobeat records for nearly two decades and their latest effort is an exemplary demonstration of...
Reviewed by Alex De Lacey in issue: November/2017
Circadian
Last year's Parasol Peak release (a Top of the World review in #143) was a milestone in Manu Delago's career....
Reviewed by Alex De Lacey in issue: November/2019
Reggae Dancer
There’s a long and proud tradition of Australian Aboriginal rock-reggae groups, from both remote desert regions and urban cities, that...
Reviewed by Seth Jordan in issue: January/February/2022
North Star Calling
When listening to Leela Gilday's latest album, North Star Calling, one is instantly transported to a vast land of powerful...
Reviewed by Marc Fournier in issue: May/2020
The Art of the Daegeum Sanjo
The latest of Inédit's series of Korean sanjo releases is for daegeum, a horizontal bamboo flute with a resonator and...
Reviewed by Keith Howard in issue: Apr/May/2015
Laisvė Šaukia
This latest 14-track, live recording from prolific Lithuanian multi-instrumentalist Saulius Petreikis and his guitarist brother Donatas Petreikis, came out in...
Reviewed by Fiona Mactaggart in issue: October/2021
Mycelium
Mycelium is (apparently) the vegetative part of a fungus, consisting of a mass of branching, threadlike filaments. The threadlike filaments...
Reviewed by Tony Gillam in issue: May/2019
Fa
Images of Galician piper Susana Seivane's son, born during an eight-year absence from the studio, litter the thick little booklet...
Reviewed by Chris Moss in issue: Jan/Feb/2019
The Greatest Day
There's never been any doubt that Jake Shimabukuro is a remarkable ukulele player. From his early success in Hawaii with...
Reviewed by Seth Jordan in issue: October/2019
Peru Bravo
This latest offering of 60s and 70s Peruvian psychedelia showcases the work of a handful of bands who stylishly combined...
Reviewed by Chris Moss in issue: Jan/Feb/2015
