Reviews
Man Shall Be Free
This Ghanaian group’s debut is a fresh collection of highlife jams. Guitar lines unwind through the compositions like a labyrinthine...
Reviewed by Liam Izod in issue: July/2025
Shadows
Shadows is an avant-garde exploration of South East Asian musical traditions. Like the shadow puppetry that Indonesian gamelan often accompanies,...
Reviewed by Liam Izod in issue: September/2025
Future Rust Vol 1
New label Future Rust offers this compilation as an immersion into the subculture of the handpan, commonly called hang. The...
Reviewed by Liam Izod in issue: July/2020
Vulture Prince
Pakistani-American singer and composer Arooj Aftab weaves the Hindustani vocal tradition into exquisite arrangements that are mournful but moreish, creating...
Reviewed by Liam Izod in issue: July/2021
Dedicated to the Bird We Love
Upon its release in 1970, this debut LP from Norwegian psychedelic-folk trio Oriental Sunshine was called by a reviewer in...
Reviewed by Liam Izod in issue: March/2017
Vintage K-Pop Revisited
A French quintet offering modern jazz-influenced instrumental covers of the songs of a Korean crooner? Even the theoretical infinite monkeys...
Reviewed by Liam Izod in issue: July/2016
Refuge
Through the medium of slick folk fusion, Refuge delivers a message of tolerance towards immigrants and refugees. The Canadian-based Sultans...
Reviewed by Liam Izod in issue: June/2020
Bumblin’ Creed
Padang Food Tigers & Sigbjørn Apeland
Padang Food Tigers operate a craft industry in ambient sound-worlds. Bumblin’ Creed is the third full album to emerge from...
Reviewed by Liam Izod in issue: December/2016
Parvat
Symphony-like in structure with three movements, Parvat is an articulation of Norwegian violinist Harpreet Bansal’s musical identity as an exponent...
Reviewed by Liam Izod in issue: May/2022
