When Songlines reviewed Ouesh Hada?, the 2013 debut album from Temenik Electric, we suggested it would be thrilling to hear...
Reviewed by Nigel Williamson in issue: May/2022
Damon Albarn is famous for breaking down musical barriers and exploring new ways in which music¬ians can work together –...
Reviewed by Robin Denselow in issue: Jan/Feb/2012
Tamsin Elliott & Tarek Elazhary
English multi-instrumentalist Elliott teams up with Egyptian oud player Elazhary on this absorbing and beautiful set combining the folk cultures...
Reviewed by Tim Cumming in issue: January/February/2024
Every musician that picks up on tradition sooner or later must decide whether they try to stay true to an...
Reviewed by Goncalo Frota in issue: April/2024
Close to two decades ago painter, poet and musical polymath, Piers Faccini, released his solo debut on Label Bleu. Since...
Reviewed by Nigel Williamson in issue: May/2021
This latest album from the French four-piece Electric Vocuhila, comes hot on the heels of a residency spent in Madagascar...
Reviewed by Lucy Hallam in issue: December/2022
Accordionist and composer Tuulikki Bartosik made quite an impression with her previous album, Chatterbox, with Hannah James. Her latest project,...
Reviewed by Fiona Talkington in issue: October/2016
Brooklyn's Antibalas have been releasing Afrobeat records for nearly two decades and their latest effort is an exemplary demonstration of...
Reviewed by Alex De Lacey in issue: November/2017
Last year's Parasol Peak release (a Top of the World review in #143) was a milestone in Manu Delago's career....
Reviewed by Alex De Lacey in issue: November/2019
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