Newcastle-born Stewart Garry may be a relatively new name to some, but with his latest release, Hearth, he makes his...
Reviewed by Billy Rough in issue: January/February/2023
Maatakitj (pronounced ‘mart-a-key-tch’ and translated as ‘long legs like a spear’) is the nickname of West Australian musician Clint Bracknell,...
Reviewed by Seth Jordan in issue: October/2022
The fluidity, sonic beauty and musical interplay exhibited on this record leaves little to suggest that this album was recorded...
Reviewed by Douglas Macgregor in issue: March/2021
Listen casually to this latest release from the Pau-based label in South-West France and you might mistake its minimalism for...
Reviewed by Mark Sampson in issue: October/2021
Former Transglobal Underground singer and BBC Radio 3 World Music Award winner Natacha Atlas is well known for combining electro-acoustic...
Reviewed by Russell Higham in issue: Jan/Feb/2020
Malian kora (harp-lute) player Mamadou Diabate is still only in his mid-30s but has racked up a stack of excellent...
Reviewed by Rose Skelton in issue: Apr/May/2011
On every track of this album there's a rich and strange presence in the soundscape, be it a lick, a...
Reviewed by Max Reinhardt in issue: July/2012
It's titled One Day because it took just that for the remarkable fiddle player Jenna Reid to record this exquisite...
Reviewed by Robin Denselow in issue: June/2023
In 2020, Polish label 1000Hz launched Digital Indigenous, a series showcasing producers who use rudimentary digital tools to create unique...
Reviewed by François Renoncourt in issue: July/2023
‘Gimme that old-time religion…’ The latest 14-track batch of old-time gospel recordings for the Memphis-based D-Vine Spirituals label underlines how...
Reviewed by Mark Sampson in issue: October/2023
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