Reviews
A History of Insolence
Naomi Bedford is no stranger to political activism, nor is she afraid of emotionally-charged subject matter, as her acclaimed 2011...
Reviewed by Tom Ryder in issue: Nov/Dec/2014
End of the World Remixes
Remix albums are notoriously a mixed bag and this one's no different, with a handful of Portuguese and Brazilian remixers,...
Reviewed by Russ Slater in issue: December/2017
A Gypsy Journey Part II: El Refugio
Mexico City-born El Javi humbly styles himself ‘The King of Rock Flamenco.’ The follow-up to an earlier EP called The...
Reviewed by Chris Moss in issue: October/2018
Tribalistas II
One uses the term ‘supergroup’ with caution, but Tribalistas unite three giants of MPB, (Música Popular Brasileira). The golden-voiced Marisa...
Reviewed by Mark Sampson in issue: Jan/Feb/2019
Mosese
The man behind BBE's latest Tabansi Records re-release, recorded in Nigeria in 1979, hails from the Congo basin: Lumingu Puati...
Reviewed by Lucy Hallam in issue: December/2019
Talea
This enormous, virtuosic set is a collage from Paolo Angeli's solo dates – over 60 of them – performed across...
Reviewed by Glenn Kimpton in issue: October/2017
Tajikistan: Classical Music and Songs
This suite of mainly instrumental music is an exemplary presentation of Tajik art music. Abdurashidov plays the sato, a (very)...
Reviewed by Michael Ormiston in issue: July/2013
Mali Foli Coura
This appears to be a studio session, cut live without overdubs or technical tampering. It's a fierce modern take on...
Reviewed by Martin Sinnock in issue: Jan/Feb/2018
Long Time… Seldom Scene
After four decades, The Seldom Scene is a band showing no signs of wavering enthusiasm or wandering from their chosen...
Reviewed by Doug Deloach in issue: Aug/Sep/2014
