The Finns are particularly good at reinventing their music and folk instruments – thanks largely to the work of the...
Reviewed by Simon Broughton in issue: Jan/Feb/2010
Even though the title is pretty terrible, there’s an elegant charm about this Sheffield-based collective’s debut that’s missing from many...
Reviewed by Howard Male in issue: Jan/Feb/2010
This CD and DVD package is quite brilliant, although not altogether new. I remember, when the DVD of the 2004...
Reviewed by Simon Broughton in issue: Jan/Feb/2010
The death of a great artist such as Miriam Makeba ought to be followed by the release of a well–...
Reviewed by Robin Denselow in issue: Jan/Feb/2010
My introduction to African music came in 1972, when I saw Osibisa playing with Roxy Music at one of the...
Reviewed by Nigel Williamson in issue: Jan/Feb/2010
Another release from ARC Music, who seem to have access to a bottomless wealth of folk and roots music from...
Reviewed by Rose Skelton in issue: Jan/Feb/2010
The legendary and mysterious Jah Shaka has been the UK’s leading roots and culture sound-system operator since the early 70s,...
Reviewed by Neil Foxlee in issue: Jan/Feb/2010
Ustad Ali Ahmad Hussain Khan & Party
The shehnai (a double-reed wind instrument) has one of the richest and most mournful sounds in Indian music, but it’s...
Reviewed by Jameela Siddiqi in issue: Jan/Feb/2010
The third studio album from Outer Hebridean Gaelic singer Julie Fowlis is as deeply immersed in the traditions of the...
Reviewed by Nathaniel Handy in issue: Jan/Feb/2010
The 12-piece, which its founder Thomas Lauder¬dale suggests would make a great United Nations' house band, has concocted its fourth...
Reviewed by Sue Steward in issue: Jan/Feb/2010
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